Uploaded videos (playlist)

View this video to go with my 2013 YW song "Stand Ye in Holy Places."

Writers Unite to Fight Cancer- Writing Contest!

I attended the ceremony last year announcing the winners of WUFC. It is a fun contest and the proceeds go to a worthy cause. Read on!

The Second Annual WUFC  Writing Contest is open for submissions from April 16th, 2013 - August 15th, 2013. 

Writers Unite to Fight Cancer (WUFC) is a group of authors who raise money for cancer research.

This year's theme will be the Drive to Thrive.

Everyone over the age of 18 is eligible to enter. May have been published before, or be a first time writer. Subject matter may be on any topic as long as it follows the theme of the Drive to Thrive.

Entry Fee is $30.00 per submission. There is no limit to the number of submissions allowed. The funds raised from entry fees and sales of books above the cost of production will be donated to the combined cancer research program at Southwest College of Naturopathic Medicine and Arizona State University under the Direction of Robert Waters.

Categories / Genres:  Word Counts limited to 4000 words.

Fiction - Short Stories or partial novels - all genres middle grade up to adult: Mystery, Fantasy, Science Fiction, Dystopia, Historical,                                 Steam Punk, Inspirational, Paranormal, Speculative, Romance, Suspense, Western

Non-Fiction - Memoir / auto-biography, Self-help, Motivational, Inspirational, Spiritual, Essay or Editorial.

(Partial novels / books  must have a resolution within the text submitted.)

Do Not Submit: Horror, Erotica, Poetry, gratuitous violence, Foul or Vulgar language.

 Maximum Word Count for all submissions is 4000 words.

 Finalists and Winners will be given the opportunity to be published in the 2nd WUFC Writing Contest Anthology if they are willing work with one of our editors – at no charge.

 All entries must be received by midnight 8/16/13. Send submissions to:

Margaret L. Turley, Administrator                      
1146 N. Mesa Dr. #102-233
Mesa, AZ 85201

writersunitetofightcancer@gmail.com                              
http://writersunitetofightcancer.com     
480-586-7902 – cell phone

My e-Novels are on Sale!

Walnut Springs Press is having a Spring Sale and my novels are available as ebooks on Amazon!

The Star Prophecy
Chocolate Roses
Haunts Haven

Happy springtime from the Sowards in Thailand!

Four Newly Posted Songs

While housecleaning getting ready to leave on our mission, I dusted off four of my older songs and posted them on my music website:

Seasons of Joy -SSA 
I Couldn't Help You -SSA
Thank You For Finding Me, My Friend -Duet
Beauty In Our Lives - A Mother's Day Song

Seasons of Joy--celebrates the seasons of a woman's life and has been for sale on my sight for many years. Now I offer it at no charge. Watch the video.

I Couldn't Help You--also for sale previously, but now offered at no charge. This song is for teaching compassionate service, visiting teaching, etc. Listen to the recording.

Thank You For Finding Me, My Friend--My good friend Judy wrote this song after her conversion. Great SSA song for a lesson, mission farewell or homecoming. Sorry, no demo.

Beauty in Our Lives--A Mother's Day song sung by Paul Noble. Written for men in mind.

Off to the Provo MTC in a few days! Visit our Thailand blog.

A Mission Call!

Sa wat dee! Off to Thailand in the spring!

My husband and I will serve for 18 months where he served a mission as a young man 1969-1971. Good thing he speaks the language. I will do my best to learn.

I have been to Thailand, so it is not completely new to me. In 2000 we took our five children to the Land of Smiles to visit where their father had served. We have great memories of that trip. The Thai people are warm and friendly to tourists. We saw many, many Buddhas and temples, rode elephants, and did all the things tourists do.

Dennis and I returned again in 2004 for the 40th anniversary of the Church in Thailand. The members put on a fantastic show of Thai dancing, music and stories. Again, we did the tourist things, but especially enjoyed being with the members. They are wonderful people--each pioneers in their own right. The food they served us was delicious. I look forward to feasting again.

So now we return, but not as tourists, not to play but to work. I cannot deny the Spirit has prompted us to go now. Things have fallen into place to make it possible. With our luck, our three bachelor sons will choose wives while we are gone. My writing will be put on hold. My composing. I will write and compose as the Spirit prompts me to do so.

But for now, laaeo phop gan mai, see you later.

Stand Ye In Holy Places, 2013 YW Song

My song for the 2013 Young Women theme is posted here, Stand Ye In Holy Places.

How to Make An Audiobook. Part 1 of 3

I recently published the audiobook of Chocolate Roses, my LDS modern retelling of Jane Eyre. I learned a lot with each step of the process. There are easier ways to make an audiobook (such as hire a recording company who specializes in audio books), but I don't have big bucks for such things. My talented sons can figure out anything electronical, so I went on the hope that I inherited from them some of their ingenuity, and plunged ahead.

Each time Amanda Freeman volunteered to read in Sunday School class, I noticed how effortless reading seemed to her. She also acts and sings---is theatrical all around. Even her hair is a striking statement (beautiful dark long ringlets against fair skin.) I discussed recording my novel with her. She had previously entertained the idea of becoming a professional reader, and so she agreed to do the project.

I first tried to convince my publisher to finance the recording. He/she wasn't interested in expanding his business at the time to include audiobooks, so they assigned me the audio rights to Chocolate Roses.

Now I was on my own. I had recorded singers for my music site, so I'd had some experience in recording. I had limited funds, and renting a recording studio and a technician was out of the question. My son Ted has a small soundboard and a microphone, and I have a computer, so there had to be a way to do it myself. After discussing the idea with my sons, I did some how-to research on the Internet.

First, I made a sound booth out of a large cardboard box I found at a local appliance store. I removed one side panel, cut up an old foam pad and literally sewed it to the cardboard with heavy string, lining the entire inside (top and remaining three sides.).

Wah-lah! Dee-Lux soundbox.

I found a small room--windowless and in the center of the 1st floor of a two story building. Even though noisy jets pass overhead on their way to Sky Harbor Airport, the room was virtually soundproof with its solid door. Plus, we were practically alone in the building. Another plus was the rent was free. (An oxymoron, I know--free rent.)

I borrowed my son's soundboard and microphone. The first day at the building, he made sure the equipment was set up right and refreshed me on how to run the software--GarageBand that came with my Mac. (The second morning I did the set-up myself.) I sat at the soundboard outside the room. Wires ran from the box and under the closed door into the room where Amanda sat facing into the padded soundbox on a table. A towel covered the table to reduce sound, the microphone rested on a rolled pillow placed inches from her mouth.

So, with spirits and hopes high, we began. Two rookies in the recording business, we learned a lot in those two days of recording. My next post will include a list of do's and don'ts learned by trial and error. 

Audiobook Part 2, Recording

My reader, Amanda Freeman, is amazing. She didn't need directing and is a natural at interpreting my prose and portraying Janie Rose Whitaker. Thank you Amanda!

We learned:

• Record each chapter into its own file. (Required when uploading to Internet.)
• Use an electronic book device--a kindle or computer that can be scrolled noiselessly (finger glide, not clicking) to eliminate sounds of page turning. It's okay if you don't have the device, but each time you need to turn a page, stop reading and make sure the reader (and page) is settled before starting to read again.
• Reader should take a decongestant before the session even if they don't think it is necessary. This is a MUST.
• Reader should do no writing. We started out having Amanda mark the script each time she had to repeat a line, but the mic picked up the pencil scratching. The second day, I marked the script. It was unnecessary in the long run. I only referred to the script a few times while editing. 
• When reader makes a mistake, she should pause and then repeat the line. Read the full sentence again, not just a phrase. No need to stop recording. Even when we found it necessary to discuss an issue, we kept the recording running. It is simple to edited out the discussion later.
• Everyone makes mouth noises--smacks, swallow, breaths, sniffles. Most sounds can be edited out later. The director/technician should not be shy about pointing these out (if they are correctable-- such as starting to read before finishing a swallow. We all do it.)  The hardest sound to edit out is breath on the microphone (use an impact shield) and soupy nose sounds in the middle of words. When/if you hear these noises during recording, STOP immediately and repeat the line. You will regret later that you didn't.  (After this experience, it was hard to listen to speakers in church without mentally editing their noises!) Reader, don't be afraid to stop and breath, blow your nose, etc. It can all be edited out.
• Take breaks. Don't wear yourself out. The energy at the beginning of the day fades by the end. 
• We came back a week or so later to "fix" some spots, and even though it was in the same room, the sound in the recording was slightly different. I didn't use most of the material in that last "make-up" session.
• The homemade sound booth worked great. Using the inner room worked well, too. I'd do it again.
• Make sure you have a cover/impact shield on the microphone to eliminate bursts of breath.
• I found it helpful to read along with Amanda. There were a few places that I, as the author, wanted her to interpreted differently. 

Overall the recording part of the experience was a lot of fun. I had the privilege of hearing Chocolate Roses read by an amazing reader, and fell in love with Roger Wentworth all over again.

Reader: What other important points have you learned in recording sessions that you could share here?

Do-it-yourself Audio Book, part 3, Editing

And now to edit 10-12 hours of recording.

 There are several programs you can use to record. We used Garageband, and in this article GB will represent whatever program you use. There are probably other programs more suited for audiobook, but GB is what I own and have used for years in my music. It is simple and very well designed.

I first went through and cut all the long pauses, page turns, loud breathing, and discussions I mentioned in part 2. I listened to all the repeats and chose the best ones, and mixed cuts when needed. In GarageBand, you can actually isolate a nose squeak in the middle of a word, and remove it.

Some chapters took longer than others to edit due to how many deletes it required. After editing all, I scrutinized each chapter again and found many more noises to edit out. I figure I spent three 3-4 times more time in editing than in recording.

One of the major problems I next faced was when I sent my song from GB to iTunes, was that the volume reduced. (It is annoying to turn the volume to max on an audiobook and still not be able to hear.) After several attempts using every method I knew to raise the volume, I googled the question, (isn't Google great) entering "reduced volume sending GarageBand to iTunes." I found others' posts about the problem, and the solution is to go to GarageBand--Preferences--Advanced-- and uncheck Auto Normalize. Problem solved! The volume stabilized in the transition.

When importing the chapters from GB to your computer's iTunes, choose "Share" from the menu-- then, "Send to iTunes" in the drop down menu. A setup box will appear. Title your project, and then for Compress Using choose MP3 encoder, and for Audio Setting choose Higher Quality. Comprendo? MP3 and Higher Quality is required for the Internet. (Don't laugh at my simply instructions. I had to go back and redo it correctly.)

My son-in-law recorded the beginning and ending announcements. He has impeccable diction, which I love, and is essential for a good recording. The beginning and ending must be in separate files. To enhance them, add background music as a theme--something that fits the style of your novel.

I chose the intro music at jewelbeat.com  and bought it for 99¢.  You'd think a composer would record her own music, but to tell you the truth, they offer great stuff and it took the stress out of finishing my project. Jewelbeat is also where I found the music for the book trailer for my novel The Star Prophecy.

Now, I assumed Chocolate Roses was ready to sell on Amazon and would be simple to upload. Ha, ha! Was I wrong! I searched Amazon's site for a way to upload my audio files, and found NO way. Amazon does not let you upload your audiobooks directly.

Again, Google came to the rescue. I searched for "How to upload an audiobook to Amazon" and found that I had to go through ACX.com  They format your recording and put it on Amazon, iTunes, and Audible. Aha! Ask and it shall be given.

ACX is a self explanatory site and did a great job of walking me through the process so I understood every step. Individual chapters upload individually, so each must in a separate file. If you get the notice that your "bit rate" is not high enough, go back to GB and make sure you chose Higher Quality as noted above. (Remember I had to go back and remix. Blush.) It took over an hour to upload all the chapters. Be ready with your beginning and ending credit recordings, and an audio sample, too, for promotional use. The audio sample can be the first chapter.

After uploading Chocolate Roses in its entirety, the completed product totaled 5 hours and 32 minutes. ACX immediately sent me an email saying to approve my audiobook for quality would take 2-3 weeks, which meant they would check to see I did it right.

The notice about the wait was a surprise, but with relief of having the project finished. After three weeks, I received an email telling me Chocolate Roses was now available on Amazon, iTunes, and Audibility. 

Listen to Chapter 1 here.

2012 Christmas Song "A Baby Born For All"

Every year I write a Christmas song. This year "A Baby Born For All" is recorded by Annie Fletcher. You are invited to listen and print the sheet music at http://joansowards.com/node/127